Admittedly, I did not expect to enjoy, “Coconut Valley,” as much as I did. Making its world premiere on Saturday, July 25, 2026, at the San Antonio Film Festival (SAFilm), this mockumentary dark comedy initially appears to be another quirky treasure-hunting adventure. Instead, it reveals itself as something far more thoughtful and oddly hopeful.

Raymond Martel (Sean Rey) was once the celebrated creator of the fictional hit video game “Corsair,” but after the failure of his latest release he is desperate for a comeback. Believing that documenting his trip to Thailand for his late father’s funeral could provide the perfect redemption story, Raymond hires a documentary crew to follow him and his every move. Once reunited with his free-spirited and hedonistic brother Eddy (Drew Tyce), the pair uncover a series of cryptic clues their father left behind, all pointing toward a legendary cache of Japanese gold supposedly buried during World War II. Whether the treasure actually exists hardly matters to Raymond. He sees a compelling narrative and that is enough to justify dragging everyone into the adventure.

What makes “Coconut Valley,” refreshing is its conversations are real. One moment the brothers are casually discussing the Assyrio-Babylonian, “The Epic of Gilgamesh.” The next, Eddy is bringing their father’s ashes to a house of ill repute as a final, unconventional bon voyage. These moments are bizarre, funny and strangely believable, creating the impression that the camera has become invisible like Reality TV in capturing the family dynamics over scripted dialogue.

Although the film presents itself as a buddy-comedy treasure hunt, it quietly subverts the genre. The search for gold gradually fades into the background as the emotional journey between two estranged brothers takes center stage. Grief, resentment and the complicated legacy of their father become the real story. “Coconut Valley,” shifts from comedy to vulnerability, from absurdity to genuine brotherly intimacy, keeping the audience off balance without ever being manipulative.

Rey and Tyce make for an intriguing duo. Raymond’s relentless pursuit of one final professional triumph contrasts with Eddy’s search for something resembling inner peace. Neither character is particularly admirable, yet both are uniquely charming in spite of their flaws. As the journey unfolds, each brother unexpectedly finds in the other exactly what he has been seeking all along. Their growing bond gives the film its pulse, reminding us that family can provide the peace we spend our lives searching for elsewhere.

Directed by Romanian-Canadian filmmaker Florian Potra, co-written by Potra and Rey and edited by Peter Hatch, “Coconut Valley,” makes excellent use of its mockumentary format. Shot entirely on location in Thailand and performed in English, the film captures both the bustling energy of Bangkok and the lush beauty of Koh Phangan, becoming its own character. Porta stated, “We were four guys and a camera. No crew, no sets, nothing recreated on a soundstage, and nothing is artificially, ‘dressed.’”

“Coconut Valley,” isn’t about finding buried gold. It’s about rediscovering family, confronting the stories we tell ourselves and learning that sometimes the greatest prize is the connection waiting at the end of the journey. It’s funny, eccentric and surprisingly moving, making it a must see at this year’s San Antonio Film Festival.

To purchase tickets for the 3:00 p.m. showing for “Coconut Valley,” at SAFilm visit: www.safilm.com.

Carlos Alvarez Theater is located at the:

Tobin Center

100 Auditorium Cir.

San Antonio, TX 78205

4 out of 5 ⭐️⭐️⭐️⭐️

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Apple TV released the trailer for “The Dynasty: UConn Huskies,” a three-part documentary series chronicling the 40-year rise of the University of Connecticut women’s basketball program under Hall of Fame coach Geno Auriemma.

Directed and executive produced by Emmy Award winner Matthew Hamachek and Emmy Award nominee Erica Sashin, the Skydance Sports production premieres globally on Apple TV on August 21, 2026.

The series explores the sustained success of what it calls the most dominant program in college basketball history through exclusive interviews with members of UConn’s 2025 national championship team and players, coaches and figures who helped shape the program across four decades. Featuring archival footage and behind-the-scenes access, the documentary examines the expectations, sacrifices and culture behind UConn’s run of championships.

The series also includes interviews with KK Arnold, Geno Auriemma, Sue Bird, Paige Bueckers, Jim Calhoun, Swin Cash, Chris Dailey, Mickie DeMoss, Jana El Alfy, Jamelle Elliott, Azzi Fudd, Jeff Goldberg, Sally Jenkins, Steve Kerr, Rebecca Lobo, Jackie MacMullan, Maya Moore, Alexa Philippou, Shea Ralph, Semeka Randall, Jennifer Rizzotti, Breanna Stewart, Sarah Strong, Diana Taurasi and Tamika Williams-Jeter.

“The Dynasty: UConn Huskies,” is produced by Skydance Sports with Learfield Studios and Revue Studios serving as executive producers. Executive producers are Jesse Sisgold, Jason T. Reed, Jon Weinbach, Lauren Gaffney, Erica Sashin, Matthew Hamachek, Lindsay Kagawa Colas, Grant Jones, Jon Liebman and Zoe Rogovin.

The documentary joins Apple’s growing slate of sports documentaries, including “Fight for Glory: 2024 World Series,” “Onside: Major League Soccer,” “Messi’s World Cup: The Rise of a Legend” and “Stephen Curry: Underrated.”

The 32nd Annual San Antonio Film Festival (SAFilm) is about to hit the ground running with ‘80s cross cultural nostalgia flick, “The Legend of Juan Jose Mundo.”

Set in Suburban 1984, New York, Julie Gornick (Anna Mirodin) welcomes Spanish exchange student Juan Jose Mundo into her home, only to watch him charm nearly every girl in her class. Making an impressive feature debut, Alexandro Byrd gives Juan Jose an irresistible aw-shucks innocence that perfectly disguises his womanizing ways. Julie mistakes that magnetic personality for love, setting up a coming-of-age story that’s as bittersweet as it is humorous. “Cobra Kai”s Hannah Kepple is perfect as Suzanne Weiss while Chase Vacnin plays it cool as Andy Kaplan. Lisa Birnbaum and David Lowenstein are the Boomer parents Gen X and Millennials will be familiar with.

Directed by Michael Walker and co-written with his wife Susan Gomes, “The Legend of Juan Jose Mundo,” is based on Gomes’ own teenage years at White Plains High School. An actual Spanish exchange student inspired Juan Jose where Walker and Gomes gathered stories from Gomes’ classmates to recreate what life was like in 1984. The result is part true story, part high school comedy and totally convincing. It embraces the awkwardness, romance, cross-culturalism, race issues and political incorrectness of the era without turning the decade into a joke.

The world itself becomes part of the story. The malls, the faded denim jackets, mixed tapes, VHS bootlegs and the music aren’t set dressing, they’re characters. They remind you of weekends spent wandering record stores, hours under fluorescent mall lights and the excitement of hearing your favorite song on the radio, while trying to be the 16th caller, scoring concert tickets. Best of all, the soundtrack stays true to 1984 featuring hits like Alphaville’s “Big in Japan”, Herbie Hancock’s “Rockit” and Rome Void’s “Never Say Never”, unlike so many period films that can’t resist slipping in songs from 1987 because audiences recognize them, every musical choice belongs exactly where it should.

That same attention to detail extends throughout the production. Cinematographer Kristy Tully shot digitally but lit every frame with traditional lighting techniques from the era, giving the film the warm glow of an authentic 1980s movie. Production designer Annie Simeone performs minor miracles on a modest budget, building a Fotomat and filling every frame with details like endless phone cords, wood-paneled basements and lovingly crafted mixtapes.

Even the dialogue sounds like it belongs in 1984. The slang, the conversations and the teenage concerns are all lived experiences rather than written through a modern lens, avoiding the mistake many bigger-budget films still make.

More “Valley Girl” than “Pretty in Pink” with a touch of “The Last American Virgin” on a “Better Off Dead” budget, “The Legend of Juan Jose Mundo,” captures first crushes, heartbreak and the strange social gravity of high school, where if everyone wants Juan Jose then of course Julie believes she should too. Funny, heartfelt and refreshing, it’s a reminder that the smallest stories often become the ones we remember forever.

“The Legend of Juan Jose Mundo,” screens at SAFilm on Tuesday, July 21, 2026 at 7:00 p.m. at the Radius Center.

To purchase tickets for “The Legend of Juan Jose Mundo,” for the 32nd Annual San Antonio Film Festival visit: https://relaytix.com/event/the-legend-of-juan-jose-mundo.

Radius Center (2nd floor)
106 Auditorium Cir #120
San Antonio, TX 78205

5 out of 5 ⭐️⭐️⭐️⭐️⭐️

This year’s opening night horror feature at the 32nd annual San Antonio Film Festival (SAFilm) is the world premiere, “Valley of the Horntak,” a haunting folk horror film that blends psychological terror with an emotionally resonating family drama. Directed, co-written and produced by Maxwell Morro with co-writer and executive producer Erik Weed, the film establishes an unsettling atmosphere that endures well beyond its final moments.

Rather than depending on conventional jump scares, “Valley of the Horntak,” generates suspense through disciplined, powerful storytelling, examining themes of family, generational trauma and the enduring weight of the past. The narrative unfolds, drawing audiences into its mysterious world while maintaining both dramatic tension and emotional depth.

The cast is solid across the board. Vernon Wells is excellent as Gordon, the mysterious patriarch whose calm confidence makes him a powerful presence. Kathleen Kinmont gives Natalie genuine emotional depth in her protective nature, while Michael G. Kehoe brings both regret and determination to Julian. William Mann is likable as protagonist Thomas who reluctantly joins his father Julian on his quest in searching for a missing boy and Nicole Gellman is genuinely unsettling as Edith, adding to the film’s growing sense of tension, never fully knowing where her loyalties lie.

Lucas D. Miller’s cinematography is one of the film’s biggest strengths. His use of natural light gives the forests and surrounding landscape an eerie, believable feel, making the setting just as important as the characters. Combined with some haunting imagery, the visuals create a constant sense of unease that lingers throughout the film.

The atmosphere is where, “Valley of the Horntak,” really shines. Every location feels rich with history and mystery of this community, and the slow, deliberate pacing rewards viewers who enjoy immersive, psychological horror. The mythology behind the isolated community is where the story unfolds, without taking attention away from the characters.

“Valley of the Horntak,” is a strong addition to modern folk horror, choosing atmosphere, memorable visuals, and character-driven storytelling over excessive gore. With its striking cinematography, effective use of natural light, it’s an easy recommendation for anyone who enjoys stress on the nervous system horror flicks.

“Valley of the Horntak,” at the 32nd annual San Antonio Film Festival on Tuesday, July 21, 2026, at 9:00 p.m. at the Radius Center.

To purchase tickets for the World Premiere of “Valley of the Horntak,” at SAFilm visit: https://relaytix.com/event/valley-of-the-horntak.

The Radius Center is located at:
106 Auditorium Cir #120
San Antonio, TX 78205

4.5 out of 5 ⭐️⭐️⭐️⭐️½

I first saw “Dave Vs. Hollywood” prior to the world premiere at Dances With Films: Los Angeles (‘Dave Vs. Hollywood’ Makes its World Premiere at DWF:LA - Interview) and interviewed co-star Vincent Spano and executive producer, writer and director Brad Dickson to discuss the comedy. Now the film is making its Texas premiere at the San Antonio Film Festival (SAFilm) on Thursday, July 23, 2026.

“Dave Vs. Hollywood” feels like a mix of “Fear of a Black Hat” and “L.A. Story” with a healthy dose of Robert Townsend’s, “Hollywood Shuffle.” It’s a smart, self-aware mockumentary that skewers the entertainment industry while never losing sight of the people chasing their dreams.

Preston Tyler Ward stars as Dave, an aspiring actor who moves to Los Angeles with talent but no connections. After auditioning without success, he decides the traditional path isn’t working and embraces an “anything goes” approach to getting noticed. He joins AA to network, joins Scientology to make industry contacts, considers donating a kidney to an aging movie star for a role and even leaves his headshot on cars outside a studio executive’s funeral. Every bad idea somehow feels believable in a business where timing and luck often matter as much as talent.

Dickson’s inspiration came from wondering about the actors who were almost cast in iconic television roles but missed out because someone else got the break. That idea becomes the foundation for a hilarious satire about the randomness of Hollywood and the lengths people will go to for their shot.

Somehow, Ward makes Dave and easy to root for even when his plans spiral into ridiculous territory. Chloe Paige Flowers is terrific as Jennifer Z. Parker while Vincent Spano brings exactly the right tone as the interviewer. Gregory Standifer, Brianna Ripley, Josh Hooks, Eric Roberts as himself and Eric Himel round out a cast that keeps the laughs coming without ever feeling overplayed.

When I spoke with Dickson and Spano at Dances With Films: Los Angeles, we talked about bizarre audition stories, getting ghosted by casting directors and creating a mockumentary that reflects the reality of trying to break into the business. That authenticity is part of what makes the film work so well.

Whether you’ve worked in the entertainment industry or have simply wondered what aspiring actors go through, “Dave Vs. Hollywood” is an entertaining, sharply observed comedy that delivers plenty of laughs while reminding us that making it in Hollywood often comes down to equal parts talent, persistence and luck.

“Dave Vs. Hollywood” will screen on Thursday, July 23, 2026 at 7:30 p.m.

To purchase tickets for “Dave Vs. Hollywood” visit: https://relaytix.com/event/dave-vs-hollywood.

“Dave Vs. Hollywood” screens at:
Gunter Hotel (3nd floor - T.C. Baker Room)
205 E Houston St.
San Antonio, TX 78205

4.5 out of 5 ⭐️⭐️⭐️⭐️½

Wonder Project is bringing nearly five decades of Sight & Sound Theatre’s acclaimed biblical stage productions to streaming, launching a season-long rollout of exclusive premieres beginning July 30, 2026.

The faith-based entertainment company announced it will debut a new Sight & Sound title approximately every two weeks through the fall, giving subscribers access to one of the largest collections of the theater company’s productions ever made available on a third-party streaming platform.

The lineup includes filmed versions of, “Jesus”, “Ruth”, “Moses”, “Noah – 30th Anniversary”, “Queen Esther”, “David”, “Samson”, “Daniel” and “Miracle of Christmas.” Select titles will also feature behind-the-scenes content exploring how the productions were created. The collection also includes, “The Story of Sight & Sound,” a documentary chronicling the company’s history and origins.

The partnership expands Wonder Project’s growing library of biblical and family-focused programming as the company continues to position itself as a destination for faith-based entertainment.

Founded nearly 50 years ago, family-owned Sight & Sound is best known for its large-scale theatrical productions that bring stories from the Bible to life through original music, elaborate sets, live animals and immersive staging. The company operates theaters in Lancaster, Pennsylvania, and Branson, Missouri, where it entertains nearly 2 million guests each year.

“Few organizations have earned the level of trust and lasting connection with audiences that Sight & Sound has built over generations,” Ani Haftvani, Wonder Project’s senior vice president of programming and content acquisitions, said in a statement. “Their productions have become part of family traditions and a milestone experience for kids growing up across the country. We’re honored to celebrate that legacy with a season of exclusive SVOD premieres, giving Wonder audiences new opportunities to experience these stories together throughout the fall.”

Katie Miller, vice president of brand development at Sight & Sound, said the collaboration reflects a shared mission to create uplifting entertainment for families.

“There’s something special about getting to partner with like-minded organizations using their platforms to spread messages of hope to a hope-hungry world,” Miller said. “We’re grateful for this new partnership and cannot wait to begin bringing these powerful stories to life for Wonder audiences and their families across the country.”

The agreement builds on an existing relationship between the two companies. “A Great Awakening,” the historical drama from Sight & Sound Films, is already available to stream on Wonder Project.

The addition of Sight & Sound’s productions also strengthens Wonder Project’s catalog of biblical programming, which includes original series such as, “House of David” and “The Old Stories: Moses,” along with animated films including “The Prince of Egypt” and “Joseph: King of Dreams” and family favorites like, “VeggieTales.”

Sight & Sound productions will begin streaming on Wonder Project on Prime Video starting July 30, 2026, with new titles arriving approximately every two weeks through the fall.

The Wonder Project subscription on Prime Video is available in the U.S. for $8.99/month or $89.99/year after a 7-day free trial. For additional details, visit https://www.amazon.com/subscription/wonderproject.

I recently had the chance to speak with former professional boxer and International Welterweight Champion Christopher “The Flash” Evangelou about his remarkable journey from the boxing ring to Hollywood. During our conversation, we talked about his career in boxing, how he made the transition from combat sports to acting, what it was like learning how to pull punches for the camera after spending years throwing real ones and his experiences working alongside Colin Farrell in Guy Ritchie’s “The Gentlemen” and Sir Anthony Hopkins in the Biblical drama, “Mary.”

Evangelou’s path has been anything but conventional. Raised in a close-knit family in North London by his minister father, he grew up with humble beginnings, often wearing church hand-me-downs and discovering his love of performing through church plays and community productions. Although acting was his first passion, a life-changing altercation at 17 led him to boxing, where he became one of Britain’s top fighters, winning a 2006 national championship, multiple international gold medals and eventually the International Welterweight title.

His boxing career came to an abrupt end after he suffered a devastating hand injury during a championship fight—an injury he fought through to win the title. Forced to reinvent himself, Evangelou returned to the dream he had put on hold and committed to acting. Within six months, he had signed with an agent, and before long he landed his breakout role in Guy Ritchie’s The Gentlemen, sharing the screen with Matthew McConaughey, Charlie Hunnam, Hugh Grant and Colin Farrell.

During our interview, Evangelou reflected on the similarities and differences between boxing and acting, explaining how one of the biggest adjustments was learning to make fight scenes look authentic without actually hitting his scene partners. He also shared stories about working with Colin Farrell and what he learned from acting opposite Sir Anthony Hopkins, describing those experiences as invaluable in his development as an actor.

Since making the leap into entertainment, Evangelou has continued to build an impressive résumé with roles in “La Máquina” and the long-running UK series “EastEnders.” Outside of acting, he also co-owns the successful boutique fitness brand The Fit Factory with his brother and frequently speaks about resilience, reinvention and finding purpose after professional sports.

Our conversation offered a candid look at what it takes to reinvent yourself, from fighting for championships in the ring to earning roles alongside some of Hollywood’s biggest stars.

Follow The Fit Factory on Instagram @thefitfactoryuk.

Follow Chris Evangelou on Instagram @chrisevangelou.

I recently spoke with global wrestling icon Chris Jericho about his new documentary, “Vietslam: Squashing The Cultural Gap,” which begins streaming July 14, 2026.

The sports documentary produced by Jericho, tells the story of the birth of Vietnam’s independent professional wrestling scene, highlighting how wrestling can unite people across cultures and backgrounds. Blending action, humor and heartfelt moments, “Vietslam,” follows a group of passionate wrestlers as they work to build a community and earn acceptance for the sport in Vietnam.

From makeshift training gyms to a breakout public showcase, the film chronicles the determination and resilience required to establish an independent wrestling movement. More than a wrestling documentary, “Vietslam,” explores themes of perseverance, passion and believing in something larger than yourself.

Jericho, a global wrestling star with a career spanning more than 35 years, has competed for every major wrestling promotion and won more than 30 championships. In addition to his in-ring accomplishments, he has remained committed to expanding professional wrestling’s global reach. Through “Vietslam,” he hopes to shine a spotlight on Vietnam’s emerging wrestling scene and demonstrate the sport’s ability to bring people together.

“Vietslam: Squashing The Cultural Gap,” begins streaming July 14, 2026, on Prime Video, Fandango at Home, Hoopla and Local Now.

Lionsgate has released the final trailer for “Mutiny,” a new action thriller starring Jason Statham, ahead of its Aug. 21 theatrical debut.

Directed by Jean-François Richet, the film follows Cole Reed (Statham), who witnesses the murder of his billionaire boss and is framed for the crime. Forced to go on the run, Reed boards in charge ship on a one-man mission to uncover the truth and avenge his boss’s death, only to discover an international conspiracy.

The film’s first trailer featured KRS-One’s “Step Into a World,” while the latest trailer includes the voice of a famous icon, adding to the anticipation surrounding the film’s release.

“ Mutiny ,” is presented by Lionsgate and produced by MadRiver Pictures and Punch Palace. The film was written by Lindsay Michel and JP Davis and produced by Marc Butan and Statham.

The cast includes Annabelle Wallis, Roland Møller and Adrian Lester alongside Statham.

Rated R for strong, bloody violence and language, Mutiny has a runtime of 95 minutes.

Spanish Translation:

Lionsgate released the final trailer for “Mutiny ,” a new action thriller starring Jason Statham, ahead of its theatrical release on August 21.

Directed by Jean-François Richet, the film follows Cole Reed (Statham), who witnesses the murder of his billionaire boss and is framed for the crime. Forced to flee, Reed boards a cargo ship on a personal mission to uncover the truth and avenge his boss’s death, only to uncover an international conspiracy.

The first trailer for the film featured the song “ Step Into a World ” by KRS-One, while the new trailer features the voice of a famous icon, increasing anticipation for the premiere.

“Mutiny ” is presented by Lionsgate and produced by MadRiver Pictures and Punch Palace. The screenplay was written by Lindsay Michel and JP Davis, and the film was produced by Marc Butan and Statham.

The cast also includes Annabelle Wallis, Roland Møller and Adrian Lester alongside Statham.

Rated R for intense and bloody violence, as well as language, Mutiny has a runtime of 95 minutes.

Writer-director Lilian T. Mehrel’s feature debut, “Honeyjoon,” is a heartfelt comedy that finds humor, hope and healing in the midst of grief. Now in limited release after a celebrated festival run, the film invites audiences on an emotional journey that is as funny as it is deeply moving.

I spoke with Mehrel about the inspiration behind “Honeyjoon.” The conversation quickly found common ground through the shared experience of losing fathers of Iranian ancestry, adding another layer of understanding to a film that speaks so honestly about love and loss. It also served as a full-circle moment after this writer first experienced “Honeyjoon,” at the Round Top Film Festival in Round Top, TX.

The story follows June (Ayden Mayeri) and her Persian-British mother, Lela (Amira Casar), who travel to Portugal’s breathtaking Azores Islands to commemorate the anniversary of a profound loss. While each woman grieves in her own way, an easygoing surfer named João (José Condessa) helps lead them on an unforgettable adventure filled with laughter, self-discovery, unexpected romance and the gentle reminder that life, like the ocean, is always in motion.

For Mehrel, filmmaking is about guiding audiences through the full spectrum of human emotion. She embraces the delicate balance between dark humor and heartfelt drama, creating stories that surprise viewers with moments of laughter just as they’re opening themselves to something more profound. At its heart, “Honeyjoon,” celebrates the beautifully imperfect experience of being human.

Mehrel hopes the film resonates with anyone who has experienced loss, searched for a sense of freedom within themselves or navigated the awkward vulnerability of trying to connect with another person. Rather than simply telling a story about grief, “Honeyjoon,” invites audiences to feel it alongside its characters, discovering that healing often arrives in unexpected ways.

Since premiering on the festival circuit, “Honeyjoon,” has connected with audiences of all ages and backgrounds. Viewers have responded to its honesty, emotional depth and breathtaking visuals, embracing its gentle reminder that life is made up of changing waves and that feeling fully alive means welcoming every one of them.

To find upcoming screenings of “Honeyjoon,” visit: https://honeyjoon.utopia.film/buy-tickets.

Follow “Honeyjoon,” on Instagram @honeyjoonfilm.

After speaking with director Eran Riklis about his latest film, “Reading Lolita in Tehran,” it became clear the adaptation is extremely timely, especially with the ceasefire falling apart between the United States of America and Islamic Republic of Iran this morning. This film in particular, follows ordinary people navigating extraordinary political and social upheaval.

Set in revolutionary Iran, the film follows a professor who secretly gathers seven of her most dedicated female students to read and discuss banned works of Western literature, including Lolita and Pride and Prejudice, as fundamentalists tighten their grip on society. Based on the bestselling memoir by Azar Nafisi of the same name, the film stars Golshifteh Farahani, Zar Amir and Mina Kavani.

Riklis said he has long been drawn to stories that examine the emotional lives of people under intense pressure, often against the backdrop of major political and social change. Throughout his career, he has explored those themes in films including “The Syrian Bride”, “Lemon Tree”, “Dancing Arabs”, “The Human Resources Manager”, “Shelter” and “Spider in the Web.”

He said Nafisi’s memoir resonated because it combines deeply personal relationships with broader political realities. While he understood the challenges of telling such an intimate story about women in Iran, he viewed the project as an opportunity to tell a universal story about resilience, identity and the struggle to preserve hope in the face of oppression.

Riklis described the film as an emotional journey through fear, anxiety, hope and love. At its center are women confronting isolation while making life-altering decisions that test their friendships, loyalty and sense of self. Their experiences, he said, reflect larger questions about politics, betrayal and the search for certainty in an uncertain world.

“Reading Lolita in Tehran,” opens in New York on Friday, July 10, 2026 and nationwide on July 17, 2026.

I spoke with host and creator Sean King O’Grady about Season Two of “Suspicious Minds,” the critically acclaimed podcast series exploring artificial intelligence as a psychological and cultural turning point.

Produced by Agoric Media in partnership with Wondermind, the mental health media company founded by Mandy Teefey and Selena Gomez, “Suspicious Minds,” was selected for the 2026 Tribeca Creators Market in early June, coinciding with the launch of Season Two, “AI and the Apocalypse,” on Apple Podcasts, Spotify, YouTube and other major platforms.

Over two years, O’Grady interviewed leading philosophers, scientists, psychologists, historians and theologians to examine whether AI poses an existential threat and what the question reveals about the human psyche. As in Season One, the series is anchored by Dr. Joel Gold and Ian Gold, Ph.D., the brothers who coined the term “The Truman Show Delusion” and co-authored “Suspicious Minds: How Culture Shapes Madness.”

Season Two features thinkers including Timothy Morton, David Benatar, Judith Wolfe, Sheldon Solomon, Dr. Michael Ferguson, Dr. Samuel Justin Sinclair, Nolen Gertz, Johann Hari, Malo Bourgon, Emily Ray, Robert Kirsch, Kelly Bulkeley, James Cussen and Dorian Lynskey.

O’Grady, whose filmmaking credits include Sundance, Tribeca and SXSW, produces the narrative documentary series with Wondermind. Mandy Teefey, Selena Gomez, Jonathon Glucksman, David Tuohy, Feras M. Shammami, Jesse Ford and Molly Borman serve as executive producers. Jesse Ford is the producer.

The podcast recently broke into the Top 25 of all series on Apple Podcasts, reached No. 1 in its category in the United Kingdom and Ireland and is charting in 20 markets across five continents. The season draws from more than 50 interviews with experts and people who have experienced AI-related delusions and psychosis.

“Suspicious Minds,” streams Thursdays on YouTube at https://www.youtube.com/@agoricmedia.

Angel Studios’ “Young Washington,” is a beautifully made production that finally gives the formative years of America’s bulletproof president the sweeping historical drama he deserves. Rather than portraying George Washington as a mythological figure who could never tell a lie, the film presents him as an ambitious young soldier driven by glory, God and country. It explores his humanity, vulnerability and determination while showing how failure, hardship and perseverance shape the leader he is destined to become.

Set against the backdrop of the French and Indian War, the story follows a 22-year-old Washington after a single misstep places him at the center of a global conflict. As alliances collapse and the frontier descends into war, he is forced to confront defeat, difficult decisions and the weight of responsibility. The filmmakers present this as the untold first chapter of Washington’s life, revealing the experiences that set him on the path to revolution and eventually the presidency.

William Franklyn-Miller delivers a standout performance as George Washington, capturing both his ambition and vulnerability as he grows into a leader. Mary-Louise Parker brings warmth and strength to the role of his mother, Mary Washington, while Jon Foss is equally effective as Lawrence Washington, George’s admired older half-brother and early mentor. Ben Kingsley lends gravitas as the influential British military officer General Braddock, Andy Serkis gives a commanding performance as the Native American leader Tanacharison and Kelsey Grammer rounds out the outstanding ensemble as Robert Dinwiddie, the royal governor of Virginia. Together the cast creates a rich and believable portrait of the people who shaped Washington’s early life.

Director Jon Erwin brings his gift for inspirational storytelling to a film that balances large-scale battle sequences with intimate character moments. Written by Erwin, Tom Provost and Diederik Hoogstraten, the production is elevated by Chad Krowchuk’s detailed production design, Kristopher Kimlin’s striking cinematography, Nadine Powell’s authentic costumes, Mario Harley’s work as indigenous consultant and David de Vos’ crisp editing. Together they create an immersive portrait of colonial America that feels both epic and personal.

Releasing nationwide over Independence Day Weekend 2026 during the celebration of the 250th anniversary of the Declaration of Independence, Young Washington stands as an entertaining, emotional and inspiring origin story. It celebrates the courage, ambition and perseverance that help forge a nation while presenting Washington not as an untouchable icon but as a young man whose faith, character and willingness to learn from failure prepare him for history.

4 out of 5 ⭐⭐⭐⭐

What happens when people who escaped the same country find themselves divided once again, this time in the neighborhoods of America?

Chaldean-American filmmaker, novelist and storyteller Weam Namou tackles that question in “Pomegranate”, her award-winning feature film adapted from her own novel. Born in Iraq and now based in Michigan, Namou examines the complicated realities facing indigenous Iraqis who fled persecution only to build new lives alongside people who share the ethnicity of those they once viewed as oppressors. At the same time, they often confront racial and religious prejudice both within their own immigrant communities and from outsiders who fail to recognize the distinctions between Iraq’s diverse peoples.

Set in suburban Detroit in the months leading up to the 2016 presidential election, “Pomegranate” centers on Niran, a young Muslim immigrant adjusting to life in America after moving into a predominantly Chaldean Christian neighborhood. As political divisions deepen, everyday encounters become increasingly shaped by fear, misunderstanding and conflicting ideas about identity, faith and belonging.

Executive produced by “Home Alone” producer Scott Rosenfelt, “Pomegranate” is widely recognized as the first narrative feature film written, directed and led by an Iraqi-American creative team. While rooted in the experiences of Iraqi immigrants, the story explores universal themes including cultural identity, generational conflict, political polarization and the challenge of preserving relationships amid deep social divisions.

Rather than approaching these issues through ideology, Namou blends drama and comedy to create a story that invites empathy, humor and honest conversation. She has said the project grew from witnessing the growing political divide surrounding the 2016 election and wanting to tell a story that humanized communities she knows intimately instead of contributing to the increasingly polarized rhetoric.

The film’s title carries its own symbolism. Namou views the pomegranate as a reflection of many distinct individuals existing within a single whole, while also pointing to the fruit’s ancient Semitic linguistic roots shared across Hebrew, Aramaic and Arabic. For her, the image serves as a reminder that beneath political and religious identities, people often have far more in common than they realize.

The project first attracted attention as a quarterfinalist in Francis Ford Coppola’s American Zoetrope competition before earning more than 50 international film awards.

Ahead of our conversation, Namou discusses adapting her novel for the screen, exploring the complexities of Chaldean and Muslim relationships and why stories rooted in humanity remain one of the most powerful ways to bridge cultural and political divides.

“Pomegranate” is available now on DVD and VOD from Freestyle Digital Media.

Visit Weam Namou’s official website to learn more about her, her books and films, visit: https://weamnamou.com/.

Follow Weam Namou on Instagram @weamnamou.

To purchase “Pomegranate” on DVD visit: www.amazon.com.

To find out where you can purchase a VOD comply of “Pomegranate” visit: https://www.freestyledigitalmedia.tv/film/pomegranate//.

I often say the problem with short films is that if they are really good you you’re left asking, “Where’s the rest of the film?” If they are really bad, 10 minutes can feel like 10 hours. Chris Baxter’s “I Got Next” is the prior. It is a compelling proof of concept for what deserves to become a feature-length film.

Screening as part of the KIDS & FAMILY PRO BLK 1 on Sunday, June 28, 2026, at 12:30 p.m. during Dances With Films: Los Angeles (DWF:LA), “I Got Next” tells the story of Taylor (Emmy Coggshall), a 13-year-old determined to make her local basketball team. Taylor has Williams Syndrome, a developmental disability that presents cognitive and physical challenges. Despite her dedication on the court, her coach refuses to give her a chance.

Everything changes when Taylor meets Jayla (Bailey Bass), a former college basketball standout struggling to move forward after a family tragedy. Taylor convinces Jayla to train her, beginning an unlikely friendship that transforms both of their lives. As Jayla helps Taylor sharpen her skills, Taylor reminds Jayla how to embrace hope and family again, giving each of them an opportunity to chase a second chance.

The story is deeply personal for Baxter, whose brother has Williams Syndrome and served as a primary inspiration behind the film. That personal connection makes “I Got Next” an authentic exploration of perseverance, inclusion and the impact one person can have on another.

In our interview, Baxter discusses the inspiration behind “I Got Next”, explains key aspects of Williams Syndrome and talks about his ticket initiative that helps Special Olympics athletes experience the film at Dances With Films.

For future updates on “I Got Next” follow @igotnextfilm_official on Instagram.

To purchase films for the KIDS & FAMILY PRO BLK 1 featuring “I Got Next” at DWF:LA visit: https://danceswithfilms.com/2026-i-got-next/.

TCL Chinese Theatre is located at:
6925 Hollywood Blvd.
Hollywood, CA 90028

One of the standout shorts to premiere during the COMP SHORTS BLK 2 program at Dances With Films: Los Angeles (DWF:LA) on June 20, 2026, was ‘Mimi the Mine’, an offbeat comedy that blended physical humor, desperation and unlikely partnership into a crowd-pleasing spectacle. Co-written and co-directed by Nikos Spiridakis, alongside producer Jason Zeiss, the film transformed the timeless rivalry between a mime and a clown into an underground phenomenon fueled by survival.

Set on the streets of New York City, ‘Mimi the Mine’ followed Mimi, a homeless mime played by Kyle Primack, and Hunter, a struggling clown portrayed by Brian Wolfe. The pair initially battled for the attention of passersby, only to discover that their increasingly chaotic confrontations attracted larger crowds and bigger tips than their individual performances ever could. With few options left, they embraced the unexpected success of their clashes, turning their slapstick rivalry into an underground bare-knuckle attraction known as Mime vs Clown.

The short combined inventive visual comedy with heartfelt themes of friendship, ambition and the lengths people would go to survive. Its energetic performances and inventive premise made it a memorable addition to this year’s festival lineup.

Ahead of the film’s premiere, we spoke with co-writer and co-director Nikos Spiridakis and producer Jason Zeiss about developing the film’s unique concept, crafting its physical comedy and bringing the unconventional world of ‘Mimi the Mine’ to life.

For six weeks, filmmaker Griff Furst watched thousands of people buy into a company that did not exist.

The website looked legitimate. The social media accounts posted like a startup preparing for launch. Reddit threads discussed the technology in character. Physical packages arrived at homes across the country. NFC-enabled artifacts were mailed to creators. Piece by piece, participants followed clues tied to what appeared to be an emerging artificial intelligence company.

It was all fiction and to be clear…all the actors are real people.

The elaborate deception was part of the rollout for ‘humAIn™’, a scripted horror anthology series created by Furst that premiered on YouTube after a six-week alternate reality game blurred the line between marketing campaign and storytelling experience.

As players unraveled the mystery, the barrier between audience and narrative disappeared. Those who successfully solved the ARG were invited into the livestream premiere itself, becoming part of the story they had spent weeks trying to decode.

The project represents Furst’s latest experiment in audience engagement and digital storytelling. Best known for producing more than 40 feature films, including ‘Devil’s Peak’ starring Billy Bob Thornton and Robin Wright, ‘57 Seconds’ with Morgan Freeman and the ‘Tales from the Hood’ trilogy, Furst is now turning his attention to YouTube as a platform for scripted entertainment.

‘humAIn™’, follows a format that combines horror anthology storytelling with immersive online world-building. The project also features YouTube creators Jack Gordon and JimmyHere, whose involvement helped bridge traditional filmmaking with creator-driven audiences.

The series arrives at a moment when filmmakers are increasingly exploring alternatives to conventional studio development models. Rather than pursuing a traditional television or streaming deal, Furst built the audience first, using the ARG as both a marketing vehicle and an extension of the narrative itself.

Furst discusses the creation of the fake AI company, the challenges of sustaining a six-week immersive experience, the decision to premiere on YouTube and why he believes the future of scripted storytelling may be found outside traditional Hollywood systems.

‘humAIn™’ is now live on YouTube at https://www.youtube.com/@gethumAIn.

Award-winning writer, director and performer Debra De Liso is bringing her debut feature film, ‘Wilma, Wu, and a Stripper Named Lorraine’, to audiences at Dances With Films: Los Angeles (DWF:LA), where it will make its world premiere Sunday, June 28, 2026 at 5 p.m.

A longtime theater artist whose career spans acting, directing, writing, choreography and teaching, De Liso has directed more than 800 original one-person plays through the American Academy of Dramatic Arts, USC and professional productions. Her community-based theater work has reached prisons, artists with disabilities and girls with Turner syndrome, earning her the 2014 Rainbow Award from the LA Women’s Theatre Festival for her commitment to multicultural and diverse communities.

Through her production company, Walk A Mile Works, and the Theatre of Compassion Academy, De Liso continues to champion storytelling as a tool for connection and understanding. While she has written, produced and directed hundreds of stage productions, ‘Wilma, Wu, and a Stripper Named Lorraine’ marks her first feature film as writer, director and co-star.

The comedy-drama follows a washed-up burlesque dancer who joins forces with an eccentric group of misfits, church ladies, hustlers and dreamers to save a beloved desert cantina from closing. Along the way, a feuding mother and daughter are forced to confront what they’re willing to hold onto and what they’re ready to leave behind.

The film also stars comedic legend Colleen Camp, Elizabeth Wu, Alexandra De Liso Smith, Michele Michaels, Johnny Paddio and Time Winters.

In this interview, De Liso discusses bringing her first feature to the screen, the themes that drive her work and what audiences can expect from this heartfelt ensemble story.

‘Wilma, Wu, and a Stripper Named Lorraine’ is completely sold out, but check back at https://danceswithfilms.com/2026-wilma-wu-and-a-stripper-named-lorraine/ for in case of ticket cancelations.

TCL Chinese Theatre is located at:
6925 Hollywood Blvd.
Hollywood, CA 90028

Making its world premiere at Dances With Films: Los Angeles (DWF:LA) on Sunday, June 28, 2026 at 10:15 a.m., ‘Burning Bridges’ is a compelling, character-driven drama set in the unforgiving world of professional wrestling, where loyalty is fleeting and ambition comes at a price. The series follows Jack Stacks (producer and star Ciro Dapagio), a legendary wrestling villain whose glory days are behind him. After 25 years as one of the most despised figures in sports entertainment, Jack finds himself clinging to a fading reputation while struggling to remain relevant in an industry that has moved on without him.

Still driving his Ferrari and relying on the notoriety he built over decades, Jack attempts one final comeback. Along the way, he must confront the consequences of the bridges he has burned, the mistakes that defined his career and the personal demons that continue to haunt him. As tensions rise behind the curtain and alliances shift, the battle becomes about far more than championships. It becomes a fight for redemption, identity and legacy.

As a lifelong fan of professional wrestling, I was immediately drawn to ‘Burning Bridges’. The series captures the grit, sacrifice and larger-than-life personalities that make pro wrestling so captivating while also exploring the very human struggles behind the spectacle (think the Mid-South and Crockette eras of the 1980s). Wrestling fans will appreciate the in-ring action and authentic atmosphere, especially with the appearance of Dave Heath, better known to fans as The Vampire Warrior in the USWA and Gangrel from WWE.

Dark, gritty and yet hopeful, ‘Burning Bridges’ delivers both an engaging wrestling drama and a meaningful redemption story. Whether you’re a wrestling fan or just enjoy character-driven stories about second chances with fantastic cinematography, this is a series worth watching.

‘Burning Bridges’ makes its world premiere at Dances With Films: Los Angeles (DWF:LA) on June 28, 2026 at 10:15 a.m. at the TCL Chinese Theatre.

To purchase tickets for ‘Burning Bridges’ visit: https://danceswithfilms.com/2026-burning-bridges/.

TCL Chinese Theatre is located at:
6925 Hollywood Blvd.
Hollywood, CA 90028

5 out of 5 ⭐️⭐️⭐️⭐️⭐️

(Color Version)

One of the things that makes ‘Spider-Noir’ such a standout series on Prime Video is its atmosphere. The visuals immediately grab your attention, but the sound plays just as big a role in pulling viewers into its dark, stylized world.

I recently spoke with the show’s sound team, including Production Sound Mixer Matthew Sanchez, CAS, Supervising Sound Editors Ethan Beigel and Re-Recording Mixers Nick Offord and Ryan Collins, about the work that went into creating the sound of what has become one of Prime Video’s biggest hits.

What stood out most during our conversation was how collaborative the entire process was. From the sounds captured on set to the final mix, every department worked toward the same goal: making the world of Spider-Noir feel immersive and believable while staying true to its unique noir style.

Matthew Sanchez talked about the importance of capturing performances in a way that preserves the emotion of a scene. In a show where dialogue carries so much weight, getting clean, natural performances on set is critical to maintaining the mood and authenticity of the story.

For Ethan Beigel the challenge was building a sonic world that felt rich and lived-in. They discussed how environmental sounds, city ambience and carefully crafted effects help shape the show’s atmosphere. Whether it’s a quiet moment in a dimly lit office or a tense sequence in the streets, sound helps bring every location to life.

Nick Offord and Ryan Collins then take all of those elements and blend them into the final mix. They explained how important it is to strike the right balance between dialogue, music and effects so that nothing pulls viewers out of the story. The goal is for audiences to feel completely immersed in the world without ever thinking about the technical work happening behind the scenes.

What makes the sound of ‘Spider-Noir’ so effective is that it never calls attention to itself. Instead, it works hand in hand with the performances and visuals to create an experience that feels seamless. After speaking with the team, it became clear just how much creativity and craftsmanship goes into every episode.

It’s the kind of work viewers may not always notice right away, but it’s a huge part of why ‘Spider-Noir’ feels as compelling and atmospheric as it does.

All episodes of ‘Spider-Noir’ are now streaming on Prime Video.