'The Spitfire Grill' Simmers at ACTC - Review
Based on the Lee David Zlotoff film, 'The Spitfire Grill' has a lighthearted musical spin on a 1990s drama.

American Coast Theater Company’s (ACTC) production of ‘The Spitfire Grill’ at the Lyceum Theater on the campus of Vanguard University proves that a gifted cast and creative team can elevate material beyond its writers’ shortcomings. Based on the Lee David Zlotoff 1996 film, under the direction of Sasha Miller, this intimate musical finds its heart in a company of performers who bring warmth, humor and emotional authenticity to every scene.
Sadie Black lays the foundation of the production as Percy, filled with determination and vulnerability. Susan K. Berkompas, who I will now and forever refer to as the, “Potty Mouth Professor,” brings wisdom and wit to Hannah, the matriarch and owner of the Spitfire Grill. Dyan Hobday-Smith make you love and pitty Effy, almost believing she’s a Karen in real life, while Chris Fine’s Caleb benefits from his rich vocal presence and a particularly impressive second tenor voice. Luc Clopton gives an awe-shucks yet compassionate authority to Sheriff Joe.
The evening’s scene stealer is Rachel Williams as Shelby. Williams evolution from Caleb’s emotional punching bag to steadfast woman shows the character’s growth from scene to scene instead of an instant transformation, making her development that much more significant.
Ryan Miller’s portrayal of The Visitor deserves special recognition, as his silence speaks more volumes than any belted out C note.

The musical ensemble deserves equal praise. Music Director David Diiorio leads from the piano, guitarist David Lopez, violinist Eric Romero and drummer Brian Sherick, create a beautifully textured accompaniment that supports the performers without overwhelming them.
Hannah Jean Simmons’ choreography effectively enhances the storytelling while making excellent use of the theater’s intimate dimensions. Scenic designer Kaitlyn Campbell, assisted by Jim Huffman, demonstrates remarkable ingenuity. Their design transforms a limited playing space into a prison cell, a sweeping mountain landscape and the titular Spitfire Grill itself.
Behind the scenes, Lily Jinojosa’s theater management keeps the production moving efficiently and on schedule. Ken Lennon’s lighting design and Shekinah Glory Rainwater’s sound mixing maintain the show’s rhythm and atmosphere, helping sustain the production’s emotional momentum.
‘The Spitfire Grill’s most significant weakness lies not with the company but with the book itself. Writers James Valcq and Fred Alley make the puzzling decision to place the intermission approximately ten minutes after two separate natural breaks. Either of those moments would have left the audience gasping with anticipation for what follows. By delaying the intermission, the writers unintentionally diminish some of the dramatic impact that should propel the second act.
Fortunately, the talented cast and crew overcome that flaw. Their commitment transforms ‘The Spitfire Grill’ into a satisfying theatrical experience.
American Coast Theater Company has delivered a heartfelt production that reminds audiences why community-centered storytelling continues to resonate. Despite the script’s structural misstep, this production burns brightly thanks to the exceptional work of everyone involved.
‘The Spitfire Grill’ runs from now through June, 28, 2026, at American Coast Theater Company’ at the Lyceum Theater on the campus of Vanguard University.
To purchase tickets for ‘The Spitfire Grill’ visit: www.eventbrite.com.
American Coast Theater Company is located at:
55 Fair Dr.
Costa Mesa, CA 92626
4 out of 5 ⭐️⭐️⭐️⭐️


